On a whim, I decided to sort my YouTube videos by views and construct my own “Top 20” list. There’s a lot of Peter Case, no surprise; he’s an artist I’ve been working closely with for many years. Peter’s Fellow Grammy nominee John Fullbright was just starting to get national media buzz when I recorded these clips five years ago in Virginia.[ Read More → ]
In the obligatory nightclub scene of my imaginary film noir, there won’t be a swing band with a sultry singer, as in “Criss Cross,” Murder, My Sweet” or “The Maltese Falcon.” There will be a rock & roll band in a dive bar, and they’ll look and sound something like this.[ Read More → ]
THE THING is a Norwegian/Swedish improvisational trio that sounds to my ears like a combination of free jazz and death metal. I saw them a few months back at Trinosophes, the Detroit performance space where I recorded the Over The Pavement concert DVD last year. There is no describing them. Here they are.[ Read More → ]
John Eger, who teaches communication and public policy at San Diego State University, has posted a fantastic article about advanced technology and the survival of many cities. He’s one of a number of experts who agrees that the world is turning into a collection of powerful city/states in a global economy where nobody is in charge. Excellent reading.
Blackmagic Design rolled out some impressive new hardware at the NAB show in Las Vegas. Say what you will, this company is coming out with cost-effective innovations for all levels of filmmaking, from Hollywood movies to low-budget productions like my own.
Veteran indie producer Ted Hope, whose credits include 21 Grams by Oscar-winning director Alejandro González Iñárritu, talks about Five Crucial Things We Want From Movies. Short, sweet, and definitely to the point.
Ted has gone back to producing after stints with the Fandor movie streaming service and the San Francisco Film Society. Here’s his master list of distribution case studies, a useful resource for those of us looking for ways to get our films in front of wider audiences.